thejoshuawilliamson:

wildlingprince:

When characters are talking to Starling, they often talk direct to camera, when she is talking to them, she is always looking slightly off-camera. Director Jonathan Demme explained that this was done so as the audience would directly experience her POV, but not theirs, hence encouraged the audience to more readily identify with her.

God, I love that movie. A&E put together a new documentary a few years ago that was amazing.

I’d be lying if I said this movie didn’t influence NAILBITER. Especially this “looking into the camera” trick. You’ll see a lot of it in Nailbiter.

ultrafacts:

For more posts like this, follow Ultrafacts

whats your favorite thing about danny phantom?
Anonymous

ectolime:

im5secondsaway:

hylian-melody:

ectolime:

THE FACT THAT THIS POOR KID HALF DIED AND TURNED INTO SOMETHING HIS PARENTS DESPISE AND HOW HE WAS ALREADY AWKWARD AND BULLIED TO BEGIN WITH BUT HE PULLS THROUGH HE TRIES TO DO THE RIGHT THING EVEN WHEN THERE’S A MILLION REASONS WHY HE SHOULDN’T. HE STILL TRIES HIS HARDEST. HE STAYS UP ALL NIGHT FIGHTING EVIL AND RISKING HIS HALF LIFE FOR PEOPLE WHO HATE HIM. FOR PEOPLE WHO YELL AT HIM. FOR SLEEPING IN CLASS OR FOR FORGETTING CHORES OR FAILING A TEST. HE KEEPS HIS ANGER IN CHECK BECAUSE HIS POWERS LEAK OUT IN HIS RAGE. HE TREATS HIS WOUNDS HIMSELF BECAUSE HE DOESN’T WANT TO WORRY ANYONE AND BECAUSE HE’S NOT SURE IF HIS BLOOD WORK IS HUMAN. HE HAS TO DEAL WITH PEOPLE FROM TWO SEPARATE VIEWS: THE PARENTS WHO LOVE HIM AND THE SCIENTISTS WHO WANT TO DISSECT HIM, THE BULLY WHO BEATS HIM YET REVERES HIM AS A HERO, THE GIRL WHO LOVES HIM BUT WILL SHOOT HIM ON SIGHT. THE ONLY MAN WHO COULD POSSIBLY UNDERSTAND HIM WANTS HIS FATHER DEAD AND WOULD USE HIM AS A TOOL. HE SHOULDERS SO MUCH RESPONSIBILITY AND IS EXPECTED TO UPHOLD THE RESPONSIBILITIES OF A GROWING TEENAGER. WHAT KIND OF JOB OR FUTURE DOES A HALF DEAD GHOST DREAM ABOUT? NOT AN ASTRONAUT. NOT WITH THOSE GRADES. AND WHEN HE DOES SEE HIS FUTURE, WHAT DOES HE SEE? HE SEES A MONSTER. DESTROYING AND KILLING EVERYTHING AND EVERYONE AND ENJOYING IT. AND EVEN IF HE’S AVOIDED THAT FUTURE, JUST HOW EASY IS IT TO SET IT BACK IN MOTION? ONE SLIP UP. JUST ONE. AND HE THINKS ABOUT IT CONSTANTLY. HE’S FOURTEEN AND HE HAS TO DEAL WITH PROTECTING A TOWN, ACCEPTING HIS EXISTENCE, MAKING SURE HE DOESN’T TURN INTO A MONSTER, THE PARANOIA OF BEING FOUND OUT AND WHAT THAT COULD ENTAIL, TWO-FACING FRIENDS AND FAMILY, THE PRESSURES OF SCHOOL, BULLYING, AND STRESSING OVER GRADES, OF LIVING IN THE SHADOW OF A FAMILY OF GENIUSES, OF CRUSHING ON HIS FRIEND BUT NOT WANTING TO RUIN WHAT THEY HAVE, AND THE GUILT OF CANCELING PLANS WITH FRIENDS BECAUSE OF A GHOST ATTACK OR NOT BEING ABLE TO LOOK HIS MOTHER IN THE EYE AS HE CONSTANTLY LIES TO HER FACE, OF HIDING WOUNDS AND SCARS AND LAUGHING IT OFF SO NO ONE WORRIES ABOUT HIM WHEN INSIDE HE’S READY TO BURST. WOW, I WONDER WHY I LIKE DANNY PHANTOM?

Danny Phantom is actually perfect.

Woah. How is it even possible for me to have so much respect for a cartoon character?

HE NEEDS ALL THE RESPECT AND LOVE HE CAN GET

JUST LOOK AT HIM

image

image

image

image

THE NEED I HAVE TO PROTECT THIS CHILD IS UNGODLY

-superman:

the-average-gatsby:

imagine a horror movie where you’re trapped in your house with a serial killer but all your lights are clappers

so you’re running for your life from this psychopath while both of you are just aggressively clapping the lights on and off

hahahaha

cognitivedissonance:

theatlantic:

The Quiet Radicalism of All That

The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.
But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.
Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.
In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.
Read more. [Image: Nickelodeon]


This show was amazeballs.

cognitivedissonance:

theatlantic:

The Quiet Radicalism of All That

The ’90s were golden years for Nickelodeon. The children’s cable television network was home to now cult-classic shows like Are You Afraid of the Dark? (1991-2000), Clarissa Explains It All (1991-’94), The Secret Life of Alex Mack (1994-’98), and Salute Your Shorts (1991-’92)—arguably heretofore unmatched in their clever, un-condescending approach to entertaining young people. Nick News with Linda Ellerbee launched in 1992, and remains to this day one of the only shows on-air devoted to frank, engaging discussions of teen issues and opinions.

But perhaps the program that best embodied the values of Nick in those years was All That, a sketch-comedy show that premiered 20 years ago today. Created by Brian Robbins and Mike Tollin, All That ran for an impressive 10 seasons before it was canceled in 2005. The prolific franchise spawned a number of spin-offs (Good Burger, Kenan & Kel, The Amanda Show) and launched the careers of several comedy mainstays: Kenan Thompson, Amanda Bynes, Nick Cannon, and Taran Killam.

Like Saturday Night Live (which would later hire Thompson and Killam), All That was a communal pop-cultural touchstone. The parents of ’90s kids had the Church Lady, “more cowbell,” and Roseanne Roseannadanna; the kids themselves, though, had Pierre Escargot, “Vital Information,” and Repairman Man Man Man, and we recited their catch-phrases to one another in the cafeteria and on the playground. Although All That was clearly designed as a SNL, Jr., of sorts, it wasn’t merely starter sketch comedy—it was an admittedly daring venture for a children’s network to embark on.

In its own right, All That was a weirdly subversive little show. It never explicitly crossed the line into “mature” territory, but it constantly flirted with the limits of FCC-approved family-friendliness. Take, for instance, the “Ask Ashley” sketch. A barely tween-aged Amanda Bynes (Seasons Three to Six), played an adorably wide-eyed video advice-columnist. Ashley (“That’s me!”) would read painfully dimwitted letters from fans with clearly solvable problems. (Example: “Dear Ashley, I live in a two-story house and my room is upstairs. Every morning, when it’s time to go to school, I jump out the window. So far I’ve broken my leg 17 times. Do you have any helpful suggestions for me?”) She would wait a beat, smile sweetly into the camera, then fly into a manic rage; emitting a stream of G-rated curses, always tantalizingly on the verge of spitting a true obscenity into the mix.

Read more. [Image: Nickelodeon]

This show was amazeballs.

lovesexdevotion:


That was so beautiful

lovesexdevotion:

That was so beautiful

faranan:

singlepatriotsinyourarea:

this is the real first page of a real book by a real Fox News host

faranan:

singlepatriotsinyourarea:

this is the real first page of a real book by a real Fox News host

strangelybeautifulworld:

nympherret:

like how much more obvious does this need to be made for people to get it?

this isnt even an exaggeration 
like at all

strangelybeautifulworld:

nympherret:

like how much more obvious does this need to be made for people to get it?

this isnt even an exaggeration 

like at all

fuckyoutenorclef:

ransomriggs:

Goinnnn to the bookstore 

and we’re

gonnnnna get maa-aa-aarired 

*whistles*

taherehmafi:

ransom and i got married several months ago in an intimate ceremony, but recently had a larger reception for more family and friends, and it was a blast! as we’re both writers, it seemed fitting to have the event at one of our favorite bookstores: the last bookstore in downtown LA. we’ve had a lot of requests for photos, so i thought i’d drop a few here. hope you enjoy them as much as we do! 

:::for the especially curious:::

my bouquet: was made from the pages of ransom’s novel (miss peregrine’s home for peculiar children).

our photographers: brandon + katrina of brandon wong photography.

venue: the last bookstore in downtown los angeles.

catering: the extremely fabulous heirloomla.

flowers: from floral art!

rentals: furniture from found rentals, dishes from dishwish!

the band: one of our favorite local indie bands, the gallery.

hugs and books!

xx

tahereh

First of all Miss Peregrine was a great book! Secondly, this set is adorable!!!

artificialimperialism:

myuncertainlife:

fandom-fox:

spoopyphilia:

did you know when you suddenly jerk awake while falling asleep, another version of you from a different timeline just died

This post fucked me up.

It’s actually because your heart rate decreased so quickly that your brain jerks you awake to make sure you’re still alive.

i dont know wHICH ONE IS WORSE

sarcarstic:

onlylolgifs:

Why You Shouldn’t Take Selfies Right Next to a Moving Train


im sorry but

sarcarstic:

onlylolgifs:

Why You Shouldn’t Take Selfies Right Next to a Moving Train

im sorry but

shoomlah:

tophatandgoggles:

A while back I asked my talented friend Claire Hummel to provide reference regarding period specific clothing to help my art for my second book more authentic. As we head into con season perhaps this might help those of you planning your Victoria cosplay :)
Check out her da page here http://shoomlah.deviantart.com

omigosh I forgot I did this for Brian!  A special little behind the scenes treat for those of you who’re fans of Otto & Victoria. :)

ninjaturtleparty:

barelyxsleeping:

frozenplanet:

The marine iguana is an iguana located only on the Galápagos Islands that has the ability, unique among modern lizards, to live and forage in the sea, making it a marine reptile. The iguana can dive over 30 ft into the water.

Godzilla

IS THIS REAL LIFE
OH MY GOD


History  is our playground.

History is our playground.